The Other connects two discourses, a semantic one – a reflection on the male life of the drives, made possible by reference to modern science – and a pragmatic one – the proof that cinema represents not simply a low-culture and morally devious form of pleasure for maids. (Schlüpmann, 2010:124)
作家電影的確立，是由於《他者》，改編自劇作家paul lindau的一出戲劇，重要戲劇演員albert bassermann扮演主角。《他者》獲得了喜劇刊物的好評。
The Other connects two discourses, a semantic one – a reflection on the male life of the drives, made possible by reference to modern science – and a pragmatic one – the proof that cinema represents not simply a low-culture and morally devious form of pleasure for maids. (Schlüpmann, 2010:124)
改编自剧作家保罗 林道的一部戏剧。
比当时乃至以后几年的德国片用了更多的分析剪辑。德国式的表演。