A highly expressive blendering of Korean social mores, sexual repression, and melodrama in general, where even the industry’s conservative film code is used to demonstrative effect, with Kim obscuring the sex scenes in red-and-yellow windows and blurry screens to such a degree that the hidden becomes otherworldly and explosive.
升级版下女，对视听语言和色彩的运用又有了新的提升。瑟克果然是全世界的瑟克
重复自己就不能算太高明
#BIFF2019 特别cult！
BIFF韩影百年回顾，虽然女主角演技差了点，70年代的韩国电影把一个很丰富的话题套在这个有点狗血的故事里，用诡异的画面颜色表达的十分生动，到底谁是谁的恶魔，哪里有善恶。
一种深深的误解...ps 看完在卫生间碰到了导演的女儿，尬聊了两句...
4.5
A highly expressive blendering of Korean social mores, sexual repression, and melodrama in general, where even the industry’s conservative film code is used to demonstrative effect, with Kim obscuring the sex scenes in red-and-yellow windows and blurry screens to such a degree that the hidden becomes otherworldly and explosive.
金绮泳真不是我那杯茶。
象征彻底玩完的70版
女人果断惹不得。。。