Chris Marker’s epic series The Owl’s Legacy (1989) is neither a deeply ‘auterist’ work nor a brilliant piece of Cinema. It is, plainly, the documentation of a thirteen-part symposium on Ancient Greece enabled by the Onassis Foundation and conceptualized by Marker.
背景的眼睛好瘆人
2/2/19 Brooklyn public library
不错的一场巡游！凑巧和前一阵子玩的《刺客信条：奥德赛》形成互文，游戏的沉浸体验先于常规视角更添奇妙：这一秒赞美古希腊民主自由，前一秒偷瓦片改选票流放政敌；嘴上无比敬仰苏格拉底，大街上被老苏拦住聊没两句就气得想踹他……从亚里士多德三段论扯到计算机够惊喜。虽同是多神论体系，日本教授非要把“八百万神”靠到古希腊神话上怀疑有点哗众取宠。另外一段联系古希腊悲剧和日本戏剧，可举的例子却是现代戏？
Chris Marker’s epic series The Owl’s Legacy (1989) is neither a deeply ‘auterist’ work nor a brilliant piece of Cinema. It is, plainly, the documentation of a thirteen-part symposium on Ancient Greece enabled by the Onassis Foundation and conceptualized by Marker.
http://www.viddler.com/v/fecaec41