Images of mostly traffic in Paris，a.o. seen from the appartment of Germaine Krull or shot while walking through the city with her。Here already the influence of the Russina avant-garde films can be seen clearly，e.g. when looking at the diagonal frame compositions。
动的法则是复制，动本身却不是
在巴黎用各种角度对汽车的“观察”。汽车和电影都是诞生于19世纪末，此后就一直并驾齐驱着。
锻炼研究运动的眼睛，一年后拍出最流畅的《雨》
伊文思到巴黎，角度选择相当有意思，可以看到后来风格的雏形。
看过留爪印~
就是巴黎的车，人，开来走去的，他喜欢低机位拍特写
Images of mostly traffic in Paris，a.o. seen from the appartment of Germaine Krull or shot while walking through the city with her。Here already the influence of the Russina avant-garde films can be seen clearly，e.g. when looking at the diagonal frame compositions。
实验短片
7。伊文思在法国拍的实验性的片
1928年，伊文思第一次赴巴黎，试图探讨摄影机的表现可能性。Half-and-half.