阿尔卡拉斯

An extended family live and work on a traditional peach farm in Catalonia. When the landowners decide to sell the estate, head of the family Quimet (Jordi Pujol Dolcet) struggles to adapt. Each generation, from grandad to the infants, laments the loss of the land in their own way.

一个大家庭在加泰罗尼亚的一个传统桃子农场生活和工作。当地主们决定出售庄园时，一家之主Quimet (Jordi Pujol Dolcet饰)努力适应。从祖辈到婴儿，每一代人都以自己的方式为土地的丧失而哀叹。

Carla Simón’s gorgeous debut feature Summer 1993 followed an orphan child struggling to readjust to a new adoptive home. Her new film, lyrical and deceptively gentle, is about another painful transition.

导演Carla Simón出众的处女作《1993年夏天》(2017)讲述了一个孤儿努力重新适应新的收养家庭的故事。她的新电影抒情而温和，讲述的是另一个痛苦的转变。

The family in Alcarràs is more settled and connected. Multiple generations live and work together on land they have called home for decades. However, when the legal owners of their sprawling peach farm sell the land to a company who will replace the trees with solar panels, the bonds that tie the family members together, and to the ground they cultivate, begin to fray.

这部电影中的Alcarràs家庭更安定，联系更紧密。几十年来，几代人在他们称之为家的土地上共同生活和工作。然而，当他们庞大的桃园合法所有者将土地卖给一家公司，用太阳能电池板取代树木时，将家庭成员和他们种植的土地联系在一起的纽带开始动摇。

It's a gorgeous farm: fruit the colour of sunsets nestling in verdant trees, all captured in Daniela Cajíias’s considered and often breathtaking cinematography. It looks like paradise, even if dipping fruit prices make it an impossibly tough living. Sadly, the family has no legal claim on the land because it was a gift given in return for a kindness during the Spanish Civil War. Grandfather Rogelio (Josep Abad) honours this connection, sharing figs with the heir to the estate, while the rest of the family make him an enemy.

这是一个美丽的农场:像日落一般颜色的果实依偎在翠绿的树上，所有这些都被Daniela Cajíias的考虑到和十分令人惊叹的摄影捕捉到。这里看起来就像天堂，尽管水果价格的下跌让生活变得异常艰难。遗憾的是，这家人对这片土地没有法律上的所有权，因为这是西班牙内战期间为了回报一个人的好意而赠送的礼物。祖父Rogelio (Josep Abad饰)尊重这种联系，与遗产继承人分享无花果，而其他家庭成员则将他视为敌人。

The fascination that Simón finds in her story is in exploring the way each generation reacts differently to the intrusion of modernity on their time-capsule life. Just like the farm, the family is a delicately balanced ecosystem of intertwining needs and abilities. Those interloping solar panels throw everything off, just as a fault in the irrigation system turns the farmland to mud.

Simón的故事中的魅力在于，探索了每代人对现代化对他们长期生活的入侵的不同反应。就像农场一样，家庭也是一个需求和能力交织在一起的微妙平衡的生态系统。那些插进来的太阳能电池板把一切都弄丢了，就像灌溉系统的一个故障把农田变成了泥浆一样。

The loss is felt most keenly by head of the family Quimet, a man steeped in tradition and peach juice. His back twisted from hard graft, and a furrowed brow scarring his careful mask of geniality, Quimet is a hero who may not have another fight left in him.

这家人的户主Quimet最深切地感受到了这种失去，他沉浸在传统和桃汁中。他的背因辛苦劳作而扭曲，眉头上的皱纹在他小心翼翼的和蔼面容上留下了痕迹，Quimet是一个英雄，他可能不会再战斗了。

The star of this film, however, is boisterous youngster Iris (captivatingly played by Ainet Jounou), an imaginative child given to playacting games that mirror the adults’ real-life scenarios. As the digger encroaches to destroy the family’s livelihood, it steals her precious playground too.

然而，这部电影的明星是活泼的Iris(由Ainet Jounou精彩演绎)，一个充满想象力的孩子，喜欢玩模仿成人现实生活场景的表演游戏。当挖掘机侵占土地破坏家庭生计时，也偷走了她宝贵的游乐场。