重生男人

评分:
6.0 还行

原名:Repo Men又名:索命条码(台) / 重生曼波 / 回收人 / 追讨人 / Repossession Men

分类:剧情 / 动作 / 科幻 / 惊悚 / 犯罪 /  美国   2010 

简介: 未来,随着科技的不断进步,人类医学也达到前所未有的高度。当你某个器官患有疾病时,

更新时间:2012-06-09

重生男人影评:是我敏感了么,《Repo Men》中文频出的的原因?

出现中字场景回顾:

1. 影片一开头,裘德洛在回收完本片的第一个客户的返程途中,隧道口出现了第一次中字“高速公路 出口”;

2. 裘德洛在家举行烧烤派对,大黑个约了一个客户上门进行回收,动手当时身上穿的粉绿色围裙有各国文字,第一个便是“爱”;

3. 裘德洛和大黑个第一次联合行动,上船回收时,船体上写着“高尚的安静”;

4. 裘被妻子赶出家门后投奔大黑个,大黑个说:你来得正好,比赛快开始了,你记得楼下的Chinese Chicken(中国妞)么,一会她会带朋友一块儿上来.

... ...后面看到一对东方人面孔的母女(那样的大花比较接近东南亚或者泰国的,中国人貌似不是这样的风格... ...)为女主换膝盖后就没看了... ...

联想到今年两位美国教授在《柳叶刀》上发表的呼吁国际社会联合抵制中国器官移植与相关科研论文的事儿,不免想到导演是不是也在表达这样一种观点?

但是在一篇采访报道中,导演Miguel对此事的回答确却并非如我所想。

DVD Talk: 您在表现这个虚构社会的细节方面做了大量的工作。其中,中文符号的出现几乎是贯通整部电影。您是否是想暗示因为我们(美国)的经济太糟糕了,而中国将成为我们的拥有者?您能谈谈您选择采用这些细节暗示而不是进行一场世界博览会来对观众进行教育的原因么?

DVD Talk: You do a very good job at creating this world with very subtle details. Throughout the movie you see Chinese symbols everywhere, which I presume is a sign of how much worse our economy has gotten and that China practically owns us. Can you talk about adding those tiny details instead of hitting us over-the-head with exposition about the state of the world?

Miguel Sapochnik::我们为这部电影做了很多准备工作。在3年的筹备期中,我做了大量的图像、图纸和理念的设计,然后才与本片的美术导演David Sandefur开始进行制作。我们对方案进行了详细的讨论,每天8小时,连续3周几乎都是在讨论这些细节方面的事。很多细节方面的东西就是在这个过程中诞生的。而世界未来的走向以及从现在的状况推断未来的情况是其中我们认为很重要的一件事。

其中,中国在未将将拥有几乎所有的东西似乎是理所当然的。这并不是从《刀锋战士》中得来的想法,它就是简单的是而已(刀锋战士跟介个有神马关系??)。这是已经发生的事情,我们仅仅是试图去证实它,并看它将往哪里发展。原本有一个想法是,电影中的人不说英语。我们最终没能这么干是因为我们制作的是studio movie(配字幕嘛...)。所以我们最终的做法是使本片中国化。影片中的建筑、设计都十分中国化。这些细节很重要,我很高兴你注意到了他们。

我们并没有想通过本片进行说教,本片的意图也不是说教。虽然我们对未来进行了描绘并尽量忠于事实,但我们绝不希望未来是影片中所描绘的那样。这部电影展现了一个可怕的世界,但我们并不认为他会发生。

Miguel Sapochnik: There was a lot of preparation. We developed the movie for three years and in that time I put together a huge amount of imagery, drawings, and concept work. Then we started getting into the movie and I started working with the production designer David Sandefur. We talked literally for three weeks, everyday, and eight hours a day about absolutely everything. A lot of things evolved through that. One of the big things, for me, was where the world is going and extrapolating the future based on today's events. The idea that China will own almost everything seemed absolutely natural. It wasn't taking from Blade Runner, it just simply is. It's already happening and we were just trying to confront that and see where it would take us. One of the ideas there was that by the end of the film no one was speaking English. We couldn't do that since we were making a studio movie. So what we ended up doing was trying to turn it into China. The architecture, the designs, and everything was all very Chinese. Those details were very important and I'm glad you noticed them. We didn't want to preach. The whole idea of this movie was not to preach. While we are encapsulating the future and trying to stay true to reality, we weren't rooting ourselves into it. The film is ultimately, while it's a terrible world, I don't think this is really what's going to happen in the future. I just think this is what we're capable of.

好吧,有空再把它看完吧。


参考资料:

1.《柳叶刀》—Time for a boycott of Chinese science and medicine pertaining to organ transplantation
原文链接:http://www.lancet.com/journals/lancet/article/PIIS0140-6736(11)61536-5/fulltext

2.DVD talk Repo Man导演采访:http://www.dvdtalk.com/interviews/dvdtalk_sits_do_3.html

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