人之怒

盖里奇 （Guy Ritchie - Lock, Stock and Two Smoking Barrels 1998, Snatch 2000) 带着杰森斯坦森携《人之怒》（Wrath of Man） 重回大荧幕, 这次他把影片从中东带回到洛杉矶。。。呃，2019年他重拍了迪士尼的阿拉丁， 这次他重拍了2004年法国惊悚片《运钞车》（Le Convoyeur aka Cash Truck）.。。。还好这次是盖里奇擅长的惊悚片、而不是童话故事。。。还有这次还有老搭档杰森斯坦 Jason Statham (The Italian Job 2003, Crank 2006，2005’s Revolver)的助攻。

"Wrath of Man" , a time-shifting neo-noir crime thriller, filled with tough, sometimes violent men: gangsters and former combat veterans. Ritchie’s trademark fast-forward and HFR (high frame rate) type of action and his nonlinear narrative structure is often more confusing than captivating. From his more recent work on Aladdin and The Gentlemen to his take on classic characters such as Sherlock Holmes and King Arthur: Legend of the Sword, viewers might enjoy Ritchie's risky, divisive approach on the best way to tell a story.

However, Wrath of Man tells a different story : Nonlinear storytelling is extremely difficult to pull off perfectly due to how easily it becomes confusing or messy.

Impressively long, uncut takes - some reach the three-minute mark - help create a tremendously tense, suspenseful atmosphere throughout the entire runtime. Every scene is set up with patience and precise timing, making every single tiny movement from the camera and actors capture the audience's attention. The heavy cello notes are incredibly ominous, establishing the mood of the whole environment in a way that will leave no viewer indifferent.

With that said, the shootouts and overall action are entertaining and well-filmed, Jason Statham (The Meg, Hobbs & Shaw) delivers a one-dimensional performance that would feel disappointing in any other movie, but it works for this protagonist.

言而总之，《人之怒》 故事构建完整、人物塑造张驰有到。。。。 爆米花足够了。。。从 盖里奇水准来说。。中庸、不偏不倚。。。anyway, 就像其他影评所说：爽就够啦 \(OoO)/